'Conor Armstrong Sanfey is a genius, his ability to see qualities in people, his unique interpretation of dramatic circumstances and consequently brilliant representation of the dramatic piece as a whole are just some of the traits that makes him stand out from the crowd as a Director on set or on stage. He is a pleasure to work with and has a keen sense for the zeitgeist and what people will like, enjoy and pay money to watch.'

Conor Marren - Actor (Horror School Reunion, The Great Gatsby)


'I have worked with Conor Armstrong Sanfey on quite a few shows to date and have always found him a pleasure to work with. I have watched him grow from strength to strength over the years and his shows have all been very well received. He definitely has a great eye for what works on stage and I would have no problem recommending him for any production.'

Barry Donaldson – Technical Manager at The Mill Theatre Dundrum


'I’ve worked with Conor in film and on stage. Both times with little or no budget which thanks to his creativity turned out to be a blessing. He can take very little and turn it into something exciting, funny, frightening, romantic, thought provoking and at times beautiful. Conor is one of those people who can think outside the box but at the same time has a knack for knowing what the audience will enjoy. His drive is not only impressive but motivational and I watch his career in anticipation for what’s to come.'

Kealan Ryan - Actor (Horror School Reunion and The Great Gatsby)


'I've worked with Conor numerous times on both stage and film. He is a pleasure to work with and has a great appreciation for actors. He is innovative in his approach to theatre and always great fun to work with.'

Stephen Gorman – Actor (Dealer's Choice, The Great Gatsby)


Very rarely do I come across a director with the ability to bring the stage to life as does Conor Armstrong Sanfey. After attending the C.A.S. Production of Brian Friel's Lovers, I was highly impressed with Mr Armstrong's choice of actors and his ability to produce such a strong feature in a limited space. In the years to follow I have made it a point to follow Mr Armstrong's career and have had the joy of seeing his productions of The Yalta Game, Stones in His Pockets and his latest adaptation of The Great Gatsby. With each production I have witnessed the theatrical bar being raised, with even the subtle nuances of each production brilliantly brought to stage. Having seem the epic productions of C.A.S thus far, I am looking forward to the next journey Mr Armstrong has planned for the stage'.

Amy Adele Baker – Freelance Journalist Dublin